Crow, crow, disc

chapter 1
the world, awash in light, blinds me.
and now: a heliointerference...an uncertain shimmer, a wavering iridescence.
my radio on crack, snapple, pop -a static blur of knitted brows and tightly pursed lips.
and then...
power off.

chapter 2
the world, awash in light, blinds me.
and there, in the distance, the wavering iridescence of heat off baked sand.
i am white linen and lavender oil
and now...
ribbons tied to my fingers fly like anchored kites in the desert wind.
i am not thirsty or hot, or tired or depleted.
i am
just
h e r e
there, on the horizon where the air rises like mirrored mylar: a tiny form.
it wants me.
and perhaps for some deep seated need to be desired,
or because i am attracted to things i don't know and can't see...
maybe just because i'm a material girl and this is the only material for miles around,
or maybe as a result of some scientific necessity, i find myself levitating and gliding -like on rails- to the stain on the horizon line.
and now i wonder if, from its distance it sees me as i see it:
as a rupture in an otherwise sterile-white landscape.

chapter 3
ribbons now streaming behind me and linen pasted to my belly by sweat.
my approachment tells me this unimportant thing: the stain is only a wooden box (no wonder it looked like a stain) and there on its side, a series of chipped and faded gold leaf letters -the only ones i can read, say:
V I * T * O L *
i raise my hands, palm side up and ribbons are flying everywhere.
they are one with the wind,
they are knotted in my hair
they encircle my throat. and they wave in flaglike fashion around the box as it rises to waist level.
i reach down and lift the lid.

chapter 4
crow, crow, disc
crow, disc, crow
disc, crow, crow.

2(crow) + disc = box

i say:
"why are we here???"
the sound of my voice triggers a hidden Something and the disc begins spinning. crow(1) places her beak onto the spinning disc and it makes a weird, scratchy sound, and then crow(2) opens her mouth and says,
"why ARE we here?"
silently, i think "oh...so this is like a tape recorder." and say,
"testing, testing...ONE, TWO."
and the noisy crow looks at me dumbfounded while the silent crow lifts her beak from the disc and says, "OH GAWD!!! they sent us another CRI-A."
confused, i say, "what's a CRI-A?" and the silent crow replaces her beak onto the disc. and the noisy crow says,
"a CRI-A is a puppet, full of Empty and whales."
"oh...I am not full of Empty. and i am not full of whales...that doesn't even make sense...i mean, what would a whale be doing in the desert?"
"not WHALES, stupid...WAILS...W-A-I-L-S. and so i have a question for you: if you're not full of Empty, what are you full of?"
"i don't know how to say it...i guess...um...i guess i'm full of me."
"yeah, you're full of yourself, all right...fucking CRI-A."
"NO. you're wrong. i am this breath, this floating, beribboned spectre. it's because i opened you that you speak. without me, you're invisible at best. i see you; i hear you. i verify your existence. you ask me what i am full of? why not just ask me who i am? i'm a weaver. an alchemist. i am the thing that juggles light and silver, sand and sweat. i don't need you to validate me, so let's just say it this way,
FUCK YOU
and the noisy crow smiles at me and says,
"you are right; you are VITOL."
and her wings unfold and her skin cracks open and underneath the feathers and skin i see fur and flash of green. and the skin peels back and now black and brown and white and green as simon emerges from the crow's dessicated form. and now both crows vanish and it is me and simon and one deaf and dumb disc, spinning for no reason at all.
and simon says to me,
"we gotta get out of here...oh god...it's too late." and he is looking at my chest. i follow his gaze to to a rapidly growing stain upon my dress: red on white linen. but i say to him, "no, it's never too late." and i grab him and say, "where are we going?"
"down."
and the desert floor becomes as quicksand as we pass down and through it and wind up in a cavernous space i know so well. home. i put simon down and follow him the length of our torch illuminated corridor to my stone bedbroom. the linen dress is gone and i am whole. and we lay us down and we sleep.

Yay! Pictures!!

FINALLY!!  a photo shoot that I was actually able to do, to spend a bit of time exploring with, and that I enjoyed.  What a great way to wrap up the summer!

My friend, Alder, let me into a building in Vancouver.  Her partner, Joey, says they are not going to destroy the building but will maintain its beauty much the way it was originally intended.  Gosh, I sure hope so...I'm pretty dismayed by all the old buildings that are being demolished in Portland, and this one is just gorgeous.  Anyhow, here are some shots that show what that space is like.  In a couple of weeks Alder said she would do a shoot up there with me!   

Ghost Ships Image Set

So here is one of the images for my Ghost Ships project:

I have this image framed in one of the vintage frames with the convex glass, and am presenting it as a diptych.  Here is a low quality photo of how the set is hung:

It's a bit hard to see, but the bottom piece (also convex glass) is a photo of cupped hands, there is aMorpho butterfly inside of it...I wanted to draw a comparison between the moving arms in the top image and the wings and motility of the butterfly below.  I was hoping that -together- they would give a sense of fleetingness.  Anyhow, the butterfly is iridescent -I've only ever seen this species of butterfly before in photographs and photos don't show their iridescence very well.

The small piece off to the side...not sure I'll put it in the gallery, but I like the shape and difference it adds to the grouping.

Shoot gone Bad

I always feel a little like an impostor when I say I'm a photographer.  Why?  Because well, photographers do certain things that I don't necessarily do.  In particular: they take photographs.  This year, I have done -or rather, TRIED to do- precisely TWO shoots.  Yep, that's it.  One of those shoots was supposed to take place yesterday, and you can probably tell from the tone of this paragraph that it didn't happen.

Abandoned, late-victorian style house south of The Dalles

Abandoned, late-victorian style house south of The Dalles

Some months ago I made a date with Betsy to drive out to an abandoned house south of The Dalles.  The house is not a mystery; there are lots of photos posted online of this place and one of my students drove out there last year to do a shoot inside the house--the inside space is gorgeous, and I was so excited to go out there!  I packed a bunch of props, a ladder, chairs and tools, and we left Portland around noon.

Google tells me that the drive from Portland to The Dalles is an hour and a half.  With a potty break and the extended distance south, it was actually a bit longer.  By the time we got there it was after 2, so it took maybe 2 hours and 15 minutes.  The house was not hard to find, but it was fenced off and there was a sign posted:  No Trespassing.  OH BUT...I have this secret belief that such signs don't actually apply to me, plus I just drove a million miles to get there, AND one of my students got in less than 6 months ago, so yes...I AM GOING.  I found a place in the fence where I could pry the wires off, and I was in, striding through the wheat field towards the house.  Betsy came after me, but I could see right away that she was reluctant, and as I began closing the gap between myself and the house, I looked back.  Betsy was frozen in the wheat...like she had simply stopped coming and was standing there watching me go alone. 

As I got to the door, I could hear movement inside the house and the most amazingly beautiful and truly GARGANTUAN owl flew out of the roof, and perched on a protruding board.  He and I stared at each other eye-to-eye, for some moments.  I don't think I ever realized how large owls are, or how pretty, or how strong.  Every photo I've ever seen of an owl has diminished the majesty of that breed of bird.  When he flew off, it felt like he left in a small sonic boom. 

I then looked back at the frozen Betsy.  She was in the exact same spot she'd been earlier.     At which point a local person drives up in a pick-up truck, and shouts:

"ARE YOU SUPPOSED TO BE THERE?"

and so I shout back, "PROBABLY NOT."

The driver started saying other things, but she was too far away and I couldn't hear her, but I wasn't confused about was this:  The deal was off.  Yup.   I'd packed and planned and driven to this destination and that the best thing to come of it is meeting my owl. 

I walked back to Betsy.  She was staring down at her feet and said, 
"I'm scared of rattlesnakes."  but there were no rattlesnakes.  I looked at her feet; she was wearing nearly nothing...like flip flops or something equally unserviceable.  Anyhow, that was the extent of the shoot, more or less.